Mile End - Fletcher's Field

Jeanne-Mance Park

sledding at Fletcher's Field

The park was previously known as Fletcher's Field. According to local tradition, the park was named after one Fletcher, who lived on the outskirts of the grounds and pastured his cows there.

The history of the park began at the end of the 19th century with the planning of Mount Royal Park and the city's acquisition of land on Mount Royal, which ran from the summit of the mountain to Esplanade Avenue, between Pine Avenue and Mount Royal Avenue. 

In 1878, Montreal's Crystal Palace was relocated to Fletcher's Field. 

The structure was destroyed by fire in July 1896. In 1879, Fletcher's Field was identified by the Pharmaceutical Society of Great Britain as a notable source of Hyoscyamus niger, a psychoactive plant.

The park used as a military parade ground, as was Logan's Farm (now part of La Fontaine Park). During the Great War, troops were trained on Fletcher's Field. The Montreal Lacrosse Club and Royal Montreal Golf Club (as well as youth lacrosse and football clubs) also used Fletcher's Field.

In September 1910, during the Montreal Eucharistic Congress, there was a campaign to rename the park in recognition of the founder of the Hôtel-Dieu de Montréal. The city of Montreal officially changed the name of the park to Jeanne Mance Park in 1990. 

The plaza entrance of Jeanne Mance Park opposite the Sir George-Étienne Cartier Monument is affectionately known as Place Fletcher's Field, serving as a reminder of the park's former name.

Mile End - Saint Joseph Boulevard (from another time)

Boulevard Saint-Joseph is the news these days with his adventures tumultuous and icy; but he has already known calmer days. This photograph of the early 1940s shows us in her beautiful summer attire. 

We immediately note the rows of mature trees
which provide a beneficial shading for pedestrians. Further, the trees leave place to a generous lawn turf and planted with shrubs. Henri-Julien Street is actually the border between Ville Saint-Louis and the village of Coteau Saint-Louis, which will later become the Saint-Denis district. 

In 1905, it is the architect and engineer J.E. Vanier who proposes to the Ville Saint-Louis to transform St. Joseph Street into prestigious boulevard, the first in Montreal. We remember that at the time it was third largest city in Quebec. Montreal will then extend the boulevard to the east, but without the trees. 

This path will eventually be widened at the beginning of 1960s.

Mile End - The Crystal Palace

Crystal Palace - 1866

The Crystal Palace was an exhibition hall built for the Montreal Industrial Exhibition of 1860, originally located at the foot of Victoria Street (one block west of University) between Sainte-Catherine and Cathcart Streets, then relocated to Fletcher's Field. It was used for temporary exhibitions, and in winter, housed an ice skating rink.

The building was designed by Montreal architect John William Hopkins. It had an iron framework, a tinned barrel-vaulted nave and two galleries, each twenty feet wide, extending all the way around the interior. Its design was inspired by The Crystal Palace in London. Its main facades were of iron and glass. Its side walls were of white brick with rose-coloured contrast, with the iron and wood elements painted to match the brick. Its bays were subdivided by three arches, with only the centre arch glazed. Constructed in 20-foot modules, the Crystal Palace was intended to be 180 x 200 feet, but was constructed with shorter transepts, reducing its dimensions to 180 x 120 feet.

The Industrial Exhibition displayed agricultural and industrial products from the then British North America. The displays ranged from minerals, native woods, seeds and grains, preserved birds and fish, oils and foodstuffs to textiles and leather goods, furniture, clothing, machinery, iron work, tools and crafts. As part of the exhibition the Art Association of Montreal, the future Montreal Museum of Fine Arts, organized a display of Canadian art. The Prince of Wales visited Montreal that year and officially opened the exhibition.

The Prince of Wales at Opening Night 1860

The large open space of the exhibition hall was suitable for other uses. In later years, the hall would house a natural ice skating rink in the winter, and was one of the first indoor skating rinks in Canada. The skating rink was used by McGill University students to play ice hockey and the rink is the site of the first known photograph of ice hockey players in hockey uniforms, taken in 1881.

The rink also housed the Crystal Skating Club and Crystal Hockey Club, more commonly known as the Montreal Crystals which played men's senior-level amateur hockey in the Amateur Hockey Association of Canada.


In 1878 it was dismantled and moved to Fletcher's Field, part of which is now known as Jeanne-Mance Park. In July 1896, the Crystal Palace was destroyed by fire, as London's original Crystal Palace would be. The site of the Crystal Palace, between Mont-Royal Avenue and Saint-Joseph Boulevard, was developed for housing a few years after the fire.

The original downtown location later was home to the Palace Theatre, a movie house, and today contains an alley named Ruelle Palace.

Mile End - United Dairy

This charming building, built in 1933, bears witness to the past presence of many small dairies in the area. The development of the dairy processing activity is explained by the proximity of the railway coupled with the dramatic growth of the urban population in the early 20th century.

From the late 19th century Quebec agriculture specializes to milk production. Due to urbanization, industrialization and the development of transport, this activity is no longer simply a rural activity, it is also developing in the city. Milk becomes an industrialized product destined to supply cities.

United Dairy received the milk from the countryside along the lines of the Canadian Pacific Railway in the Laurentians and Montérégie, and then transformed it. Inside the building were bottling and pasteurization, butter making, bottle washing and storage.


Robert Brettschneider, of Polish Jewish origin, arrived in Canada in 1926. He brought the following year his wife Bessie and his younger brother Osias. In 1930 Robert Brettschneider founded with Jacob Rottermund the dairy United Dairy. It will have a short and eventful story.

The dairy starts in rented premises, a backyard house at 5244-5246 Casgrain Avenue. In 1933, it moved to a new custom-built building. However, constantly struggling with the authorities and with the complaints of its competitors (for example, selling milk to a distributor below the official price of the Dairy Commission, use of glass bottles belonging to other dairies, change in the fat content in milk, and even the sale of shares of the dairy without going through a securities broker), the United Dairy is condemned in court repeatedly: in April 1938, the newspapers echo his nineteenth sentence, with a fine of $ 1,000. The dairy declares bankruptcy shortly thereafter.

Robert Brettschneider does not admit defeat: he incorporates (only) a new company, the Snowdon Dairy, in September 1938. He can stay in the former premises of the United, thanks to a friend who buys the building in the sale of bankruptcy, selling it to him a few years later. The dairy will do business until it is closed in 1954 - a time that is the height of the Jewish migration from Mile End to Snowdon. From 1953 to 1958, the building also housed the offices of a milk distributor, North End Milk Distribution, apparently the last activity related to the dairy industry in this building.

During his retirement, Brettschneider serves as president of the congregation Shomrim Laboker, recently moved to a modern building in the Snowdon neighborhood. He oversaw two mergers with other congregations in 1957 and 1959. He also got involved in other projects such as a clothes shop with a son and real estate investments with a son-in-law, to whom he sold the building of the old Dairy in 1963. He died in 1966, leaving behind his wife, five children, and his brother's family.

Mile End - The C.P.R Hotel

The Canadian Pacific Railway Company’s fame stems, in part, from the construction of prestigious grand hotels between 1888 and 1930 designed to attract affluent tourists to spectacular sites served by the railroad. Inspired by the castles of France’s Loire Valley, they became icons of the Canadian landscape, including Château Frontenac in old Québec, Toronto’s Royal York and the Banff Springs Hotel in the Rocky Mountains. Less well-known is the fact that Mile End once had a hotel, much more modest in scale, which was known for many decades as the C.P.R. Hotel – although it was never part of that company.

While the structure exists no longer, the hotel sat on a site at the northeast corner of Saint-Laurent Boulevard and Bernard Street for over a century, a few steps from the Mile End train station located a bit farther east on Bernard. The station, opened in 1876, created a new hub of activity in what had been a completely rural area. Previously, travellers and neighbourhood residents patronized hotels located at the other Mile End intersection, further south, where Saint-Laurent meets Mont-Royal Ave. The history of the C.P.R. Hotel is closely related to that of its founding family, the Hogues. Two interviews with family members, spaced about 50 years apart in time, provide information.

— Weren’t you once a hotelkeeper?
— Yes, I built the C.P.R. hotel, located at the corner of Bernard and Saint-Laurent streets, in 1878. In those days, there were no sewers, no sidewalks and of course no street lamps. My business was in a rather empty spot. To the north, I had no neighbours up as far as the land where the Institut des Sourds-Muets is located,2 where an Irishman lived at the time.
— And to the south?

— Not so peaceful as on the north side, I had no neighbours to the south until Laurier Street. But there was a shack around Saint-Viateur Street, where a guard manned the gate leading out of the city. The gate was managed by the Turnpike Trust, which charged an outbound toll that varied according to the type of vehicle.

In May 1985, La Presse journalist Gérald Leblanc found Télesphore Hogue’s grandson, Martial Hogue. At the time he was 77 and described himself as a poet-painter and a “professional outsider” who was born and grew up in the neighbourhood. The short interview revealed very little new about the hotel’s history, although the journalist called Martial Hogue “inexhaustible” about the subject, as well as about the tailor shop belonging to his father. 

But the article did provide a unique photograph of the building in its heydays. The old hotel which had been the pride of the Hogue Family was about to disappear. A fire completely destroyed it seven months later, in the early morning hours of January 5, 1986, in the middle of a snowstorm. Today, more than a quarter century has gone by, and the land on which the C.P.R. Hotel once stood is still vacant.

Mile End - The Rialto Theatre Opening Night 1924

The Rialto on a wintry day just before its opening on 27 December 1924. 

The ‘torch’ and the building-long iron-and-glass canopy are in place, and the ads for the opening movie, In Every Woman’s Life, are in the panels beside the doors. A florist, dress shop and tobacconist are among the stores already open.

The lobby in 1930: lots of marble and a fancy lamp. The door on the left led to the loges, the next to the orchestra. The third door was an exit for those leaving the theatre, and the stairway led to the balcony.


No wonder people build with marble. This is the lobby stairway in 1987, unmarred by sixty years of use.

The hall in 1930, with the great vaults of decorative plaster and stained glass on the ceiling and under the balcony. 

No other Montreal theatre had features quite like these, nor the amount or variety of both decorative plaster and stained glass. 

The vault’s colour-scheme was sombre: beige, gold and turquoise.

The corner of the upstairs vault. Note the plaster oak leaves and acorns, and the painted faces.


The downstairs vault in 1930. It may still be there, behind a false ceiling. Photo right

The Standard, Montreal, Saturday, December 27, 1924.
Montreal’s New Luxury Theatre The Rialto

Park Avenue at Bernard

Opens To-Night at 8.15

The opening of the Rialto tonight marks another step forward in theatre building and welds still another link in the famous chain of theatres operated by the United Amusement Corp. Limited, which also includes the Strand, Regent, Papineau, Belmont, Plaza, Corona and Mount Royal.

We feel proud of the Rialto, and justly so, as the most brilliant brains in the country were secured to transform the highest quality materials into what we believe to be the finest constructed and most luxurious theatre in Canada.

We cordially welcome you to the Rialto and sincerely hope that you will become a regular patron and a friend. It will be a pleasure to serve you at all times and we will welcome any suggestions you may offer for the improvement of Rialto entertainment or service.

Policy of the New Rialto

Admission Prices

Matinees except Sundays and Holidays: Adults 17c, Children 10c. Evening, Sundays and Holidays, Orchestra and Loges, 33c. Balcony 25c (tax included).

Film Programs
Complete change of program every Sunday and Wednesday. There will be two feature pictures on every bill except when presenting big productions of more than the usual length.

Coming Attractions
Marion Davies in “YOLANDA”
Milton Stills, Enid Bennett and Wallace Beery, in “THE SEA HAWK”
Harold Lloyd in “HOT WATER”
Norma Talmadge in “SECRETS”
Anna Q. Nilsson and All-Star Cast in “THE FIRE PATROL”
George O’Brien and Dorothy Mackaill in “THE MAN WHO CAME BACK”
Pola Negri in “FORBIDDEN PARADISE”

Gloria Swanson in “WAGES OF VIRTUE”

Rialto - 2015

Originally a neighbourhood movie theatre, the Rialto Theatre was built in 1923-1924 according to plans by Montreal architect Raoul Gariépy. The Beaux Arts façade was inspired by the Paris Opera while the neo-baroque interior features a rich décor signed Emmanuel Briffa. The Rialto Theatre was designated as a Historical Monument by the City of Montreal in 1988 and by the Government of Quebec in 1990, and also as National Historic Site of Canada in 1993.

Mile End - Church of St. Michael the Archangel

Perhaps the most recognizable architectural symbol of Mile End is the Church of St. Michael the Archangel of 1914-5, on Saint-Viateur Street at the corner of Saint-Urbain. 

The church, designed by Aristide Beaugrand-Champagne, was built for an Irish Catholic community, as expressed by omnipresent shamrock motifs; yet the overall style of the building is based on Byzantine rather than Western architectural traditions. 

Even more striking, the church has a slender tower that resembles a minaret. The building has been shared since 1964 with the Polish Catholic mission of St. Anthony of Padua, which officially merged with the parish of St. Michael in 1969 to form the current parish of St. Michael's and St. Anthony's;masses are celebrated in Polish and in English.

At the turn of the last century there was something of a migration of Irish-Canadian working people from their overcrowded Point St. Charles and Griffintown haunts north into Mile End. In 1902, the Catholic archbishop of Montreal, Mgr. Paul Bruchési, gave his approval for a new parish to be created. The first mass was said upstairs of a fire hall at Laurier and Saint-Denis that no longer exists. Their first small church building was on rue Boucher near there; it no longer exists.

By 1914 the growing parish decided it needed something bigger and grander. In July of that year excavations began. Work stopped briefly when war broke out that autumn, but resumed in April 1915, and the church was ready to use by that December. The price tag was $232,000 and the church could hold 1400 people.

This information comes from a booklet published in 1927 when the parish was already 25 years old. The text describes, and images show, that the dome and the cap on the tower were both decorated with patterns, and the massive façade with the words Deo dicatum in honorem St. Michaeli and a smaller motto on a banner over the doors. Those flourishes are gone, but carved shamrocks are still part of the façade, a nod to the time when the parish was pretty well a monoculture, with priests called McGinnis, Fahey, McCrory, Walsh, O’Brien, Cooney and O’Conor and church wardens Keegan, Gorman, Dillon, McGee and Flood.

Also, unusually, there’s no mention of bells, and no evidence that the tower ever contained any: unlike most church towers it’s closed all the way to the top.